Twenty Workshop Questions

 

1) How clear and concise is the language in the poem? If it is not consistently clear and concise, what specifically should the writer revise?

 

2) What is the poemıs literal situation? Is there something in your understanding of the literal situation in the text that helps set up good writing or interferes? What do you know too much of and/or what do you need more to know?

 

3) What is the character of the voice in the poem? Is there a clear point of view? Who are the other characters in the poem? What do you know about the relationships between the characters and voice in the poem?

 

4) What is the setting? In other words, what do you understand of the world from the poem and what do you imagine adding or subtracting from that world?

 

5) What happens? How do things turn out? Are the twists and turns you really like? Are there alternatives you can suggest? Is the poem in need of more/less plotting?

 

6) What is the text saying about the subject and how well is it saying it to you? What is the poemıs trigger and how is it related to the poemıs real subject?

 

7) What are the poemıs primary images, and how clearly and precisely are they presented? Which images support the primary image and which ones donıt? Can you point to any problems with your process of seeing any image so the poet may craft the image more powerfully? Can you suggest alternative ways to develop images in the poem?

 

8) What are the most effective metaphors and similes? Where are the weak, ornamental ones? Can you suggest additional metaphors or similes that may work in the poem?

 

9) What are the best sounds the poem makes, and what sounds seem awkaward? Can you point to the rhythms, rhymes, meter, lines, words and sounds that enable you to hear the "music" in the writing? What alternate word choices may improve the poemıs overall aural quality?

 

10) What are the best lines? Can you explain how you liked them in terms of meaning and placement? How do they improve the experience of the poem for the reader? What lines seem wrong or unnecessary? What lines can you imagine adding to the poem?

 

11) How well are the metaphors, similes, sounds, lines, images, and voice. coming together to help you experience the qualities of the poem?

 

12) Do you see a chance to do more showing and less telling? Where? Why? How?

 

13) Does the poem begin well? Can you focus your comment on the title and first line of the text so the writer knows if these beginning elements are effective?

 

14) Does poem end well? Do you see an alternative title or slant to the poem to suggest a different ending?

 

15) Is the form of the poem well suited for the subject? What would happen if the same material is used in a different form?

 

16) Is the point of view (POV: first person, second person, third person) effective? If so, how does it contribute to the presentation; if not, which POV do you suggest? Why?

 

17) Does the poemıs organization work well? If so, how does the flow of information enhance the poem; if not, how would you restructure the flow of information?

 

18) What central question or problem does the poem present and how clearly is it presented? How may it be clarified and/or further developed?

 

19) What does the text really mean and what questions did the writing make you want to ask?

 

20) If you wrote this poem, what would you have done differently? How? Why?