JENNIFER A. HUDSON, Faculty Development/Adjunct
Faculty, English
JOURNAL
ARTICLES PUBLISHED:
“Writing, Technology and
Writing Technologies: Developing Multiple Literacies
in
“The
‘Bi-Sexual Race’: Mediating Masculine and Feminine Discourses in Charlotte
Perkins Gilman's Herland,
With Her in Ourland,
and Beyond.” Journal of Bisexuality 2006;
5(4): 5-17.
“ ‘She’s
Unpredictable’: Illyria and the Liberating Potential
of Chaotic Postmodern Identity.” Magazine
Americana 2005; Spring issue. http://www.americanpopularculture.com/archive/tv/shes_unpredictable.htm.
“ ‘No hay banda, and
Yet We Hear a Band’: David Lynch’s Reversal of
Coherence in Mulholland Drive.” Journal of Film and Video 2004; 56(1): 17-24.
“ ‘God our
Mother’: The Feminine Cosmology of Julian of
“Taking Her
Body: The Woman Writer in Our Land and Herland.” Delta
Epsilon Sigma Journal 1999; 64(3): 119-22.
POETRY AND
ESSAYS PUBLISHED:
“Window,
Leongatha, VIC, July 1999.” DISPATCH 2006; 3: 114. http://litdispatch.net/dp/three/index.html.
“Discovering
Our Inner Treasure.” Sage Woman 2005;
67: 29-31.
“In the
Arms of Mother Earth.” Sage Woman 2003; 61: 65.
“Daily
Prayer.’ Sage Woman 2003; 60: 21
“How a
Tree Grew Out of a Burning Bush.” Sage
Woman 2003; 60: 96.
BOOK
REVIEWS PUBLISHED:
Review of Future Imaginings: Sexualities and Genders
in the New Millennium. Delys Bird, Wendy Were,
and Terri-ann White, eds.
CONFERENCE
PAPERS ORALLY DELIVERED:
“The Bisexual Race:
Mediating Masculine and Feminine Discourses in Charlotte Perkins Gilman’s Herland, With Her in Ourland,
and Beyond.” 18th Annual American
Literature Association Conference, Boston, MA, May 2007; Eighth International
Conference on Bisexuality, University of Minnesota—Twin Cities Campus,
Minneapolis, MN, August 2004.
“Writing,
Technology and Writing Technologies: Developing Multiple Literacies
in
“ ‘She’s
Unpredictable’: Illyria and the Liberating Potential
of Chaotic Postmodern Identity.” Southwest/Texas Popular Culture Association 27th
Annual Meeting, Hyatt Regency, Albuquerque, NM, February 2006; Fall 2004 New
York College English Association “Crossing Borders” Conference, Rochester
Institute of Technology, Rochester, NY, October 2004.
“ ‘No hay banda, and Yet We Hear a Band’:
David Lynch’s Reversal of Coherence in
“She Said, He Said: Écriture Féminine and
the Mediation of Masculine and Feminine Discourses in Charlotte Perkins
Gilman’s Fiction.” Society for Utopian Studies’ 28th Annual Meeting,
Bahia Resort Hotel, San Diego, CA, November 2003;
First Annual Women’s Studies Graduate Student Conference, Southern Connecticut
State University, New Haven, CT, March 2003.
“She Changes Everything She
Touches: Wicca, Witchcraft, and Ecofeminist Ethics
and Practices.” Ecofeminist Ethics and Activism:
Re-Envisioning the Future, Twelfth Annual Women’s Studies Conference, Southern
Connecticut State University,
“Utopian Sisterhood in
‘Goblin Market’.” Christina Rossetti’s “Goblin
Market”: Converging Feminist Perspectives, Southern Connecticut State
University,
“Of Rose Petal Sauce and
Desire: Food, le parler
femme, and Subversion in Laura Esquivel’s Like Water for Chocolate.” Philological Association of
“Taking Her Body: The Woman
Writer in Our Land and Herland.”
Third Annual Charlotte Perkins Gilman Conference, University of South Carolina,
Columbia, SC, March 2001; Society for Utopian Studies, Century Plaza Hotel,
Vancouver, BC, Canada, October 2000.
POETRY
Spoken
Word Poetry, Las Vetas Lounge,
GENERAL
RESEARCH INTERESTS:
Gender studies; Charlotte Perkins Gilman; women writers and women’s writing;
utopian literature; popular culture studies; composition theory; e-learning
OTHER PROFESSIONAL
ACTIVITIES AND MEMBERSHIPS:
Member, Charlotte Perkins Gilman Society
Member, American Association for Australian Literary Studies
Member, Society of Children’s Book Writers and Illustrators