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Kelly A. Ritter, English   

 

BOOKS:

 

(Co-Edited with Dr. Stephanie Vanderslice)  This is (Not) Just to Say; Lore and Creative Writing Pedagogy.  Portsmouth, NH: Boynton/Cook, 2007.

 

 CHAPTERS/SECTIONS PUBLISHED IN BOOKS:

 

"Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse."  In The Terministic Screen: Rhetorical Perspectives on Film.  David Blakesley, Editor. Carbondale, IL: Southern Illinois University Press, 2003:  286-300.

 

ě(En)Gendering the Archives for Basic Writing Research.î Accepted for the collection Working in the Archives: Methods, Sources, Histories. Barbara LíEplanttenier, Ed. Complete chapter submitted January 2007.

 

JOURNAL ARTICLES:

 

ěBefore Mina Shaughnessy: Basic Writing at Yale 1920-1960.î  Under consideration at College Composition and Communication. 

 

ěE-Valuating Learning: ëRate My Professorí and Public Rhetorics of Pedagogyî  Under consideration at  Rhetoric Review. 

 

ěEthos Interrupted: Diffusing ëStarí Pedagogy in the Creative Writing Classroom.î College English 69.3 (January 2007): 283-292.

 

ěExtra-Institutional Authority and the Public Value of the WPA.î WPA: Writing Program Administration 29.3 (Spring 2006): 45-64.

 

ě Buying In, Selling Short: A Pedagogy Against the Rhetoric of Online Paper Mills.î Pedagogy 6.1 (January 2006): 25-51.

 

ěTeaching Lore: Creative Writers and the Universityî (with Stephanie Vanderslice).  Profession 2005 (December 2005): 102-112.

 

ěCourse Design for English 200: Rhetoric, Argument, and the Law in American CultureComposition Studies 33.2 (Fall 2005): 89-112.

 

"The Economics of Authorship: Online Paper Mills, Student Writers, and First-Year Composition" College Composition and Communication 56.4 (June 2005): 601-631. 

Reprinted in The Arlington Reader, 2nd Edition.  Lynn Bloom, Ed.  Bedford/St. Martinís, forthcoming August 2007. 

 

ěWriting Professionals/Professional Writers: Revamping Teacher Training in Creative Writing Ph.D. Programs.î  College English  64.2 (November 2001):  205-227. 

 

ěSpectacle at the Disco: Boogie Nights, Soundtrack, and the New American Musical.î   Journal of Popular Film and Television  28.2 (Winter 2001):  166-175.

 

OTHER PUBLICATIONS (POETRY):

 

…ěMercy Seatî.  Borderlands: Texas Poetry Review  no. 1, Spring/Summer 2000.

 

…ěHistoryî, ěMichael Fureyî, ěNew Age Truck Stopî.  Notre Dame Review  no. 8/Summer 1999.

 

…ěAnastasia Afterî, ěWingî, ěA City Part Twoî, and ěThe Sleeping Daughterî.  Kimera  vol. 4, no. 1, Summer 1999.

 

…ěPoem with First Line from Nerudaî.  Karamu,  vol. 16, no. 2, Spring 1999.

 

…ěCrazyquiltî.  Rio, issue 6, Winter 1998-99.

 

…ěWhat Holds Youî.  Bloomsbury Review, vol. 17, issue 1, January/February 1997.          

 

…ěZeroî.  No Roses Review, issue 7, Winter 1996.

 

…ěPastoralî.  Cutbank, no. 45, March 1996.              

 

…ěSymphonyî, ěAllî, ěHeavenly White Rosesî. Northwest Review, vol. 34, no. 1, January 1996.

 

…ěStove on Fireî, ěExcavationî, ěThe Boyís White Handsî.  Skylark, no. 14, Dec. 1995.

 

…ěWhat Icarus Saidî.  Hammers, no. 10, July 1995.

 

…ěGestureî and ěLike Strawî.  Hawaii Review, vol. 18, no. 3, Fall 1994.

 

…ěGivenî.  Greensboro Review, no. 56, Summer 1994.

 

OTHER PUBLICATIONS (COMPOSITION):

 

"Two Examples of Team Writing" (Contributor of 'The Multiple Author Team' model).  In Feldman, Ann, Nancy Downs, and Ellen McManus. In Context: Participating in Cultural Conversations.  New York: Longman, 2002: 669-670.

 

ěWriting Communities: Cultural Diversity in the Composition Classroomî.  The Effect of Student Diversity on Student Learning at the University of Michigan: Faculty and Staff Perspectives.  CRLT Occasional Paper 12.  Ann Arbor: Center for Research on Learning and Teaching, University of Michigan, 1999: 11-12.

  

BOOK REVIEWS: 

 

Rev. of Daldry, Stephen.  The Hours (Paramount/Miramax Films, 2002).  Virginia Woolf Miscellany.  Number 62 (Spring 2003): 10-12.

 

Rev. of Natoli, Joseph.  Postmodern Journeys: Film and Culture 1996-1998.  (SUNY Press, 2001). Scope: An Online Journal of Film Studies, February 2003.

< http://www.nottingham.ac.uk/film/journal/bookrev/books-feb-03.htm.>

 

Rev. of Modleski, Tania. Old Wivesí Tales and Other Womenís Stories (NYU Press, 1998). M/MLA Journal 34.2 (Spring 2001): 137-140. 

 

Rev. of Troost, Linda and Sayre Greenfield, Eds. Jane Austen in Hollywood (U Press of Kentucky, 1998). M/MLA Journal 33.2 (Spring 2000): 97-100.

 

CONFERENCE PAPERS ORALLY DELIVERED:

 

(Most recent)

 

ěThe Rhetorical Identity of ěUnder-Preparedî in Ivy League Basic Writing Programs.î Conference on College Composition and Communication, New York City, March 24, 2007.

 

ěEmerging from the Comp/Rhet Shadows:  Public Identities for Creative Writing in the Twenty-First Centuryî  (Panel Chair/Organizer). Conference on College Composition and Communication, New York, New York, March 22, 2007.

 

ěE-valuating Learning:  RatemyProfessor.com and the Ethics of Public, Dialogic Evaluation in the First-Year Writing Classroom.î Conference on College Composition and Communication, Chicago, Illinois, March 24, 2006.

 

 ěThe Economics of Authorship: Online Paper Mills, Student Writers, and First-Year Composition.î Modern Language Association Conference, Philadelphia, Pennsylvania, December 28, 2004.

 

ěWhither Collaboration?  WPAs and Upper-Level Administrators Define Basic Writing.î Thomas R. Watson 2004 Conference on Rhetoric and Composition, Louisville, Kentucky, October 9, 2004.

 

ěInternational Creative Writing Video Conference between the UK and the USA.î Great Writing Conference 2004: Writers, Creative Writing, and the Contemporary World. University of Portsmouth and the UK Centre for Creative Writing Research Through Practice. Portsmouth, England, July 24, 2004.

 

"Taking the Show on the Road: Making WPA Work Matter Though Institutional Program Outreach." Conference on College Composition and Communication, San Antonio, Texas, March 27, 2004.

 

"This is (Not) Just to Say: Public 'Lore' and the Future of Creative Writing" (Panel Chair/Organizer). Conference on College Composition and Communication, San Antonio, Texas, March 25, 2004.

 

"Teacher or Administrator?  Negotiating WPA Work at the 4/4 University." Conference on College Composition and Communication, Chicago, Illinois, March 21, 2002.

 

 ěThe Intellectual Quotient of Television in a Writing Class, or, What D.A. Jack McCoy Owes to Aristotle.î  Northeast Popular Culture Association Conference, New Haven, CT, November 3, 2001.

 

ěPerformance or Conversation? Rethinking Self-Assessment in Writing Classrooms.î Conference on College Composition and Communication, Denver, Colorado, March 15, 2001.

 

ěHow Much Does a Frame Like That Cost? Reviewing the Real in Video Landscapes in The Sixth Sense.î  South Atlantic Modern Language Association Conference, Birmingham, Alabama, November 11, 2000.

 

ěWriting Professionals/Professional Writers: Revamping Teacher Training in Creative Writing Ph.D. Programs.î Midwest Modern Language Association Conference, Minneapolis, Minnesota, November 5, 1999.

 

ěThe Thirteenth Grade:  The High School-College Connection as Topic of the Basic Writing Course.î  University of Michigan-Flint Writing Across the Curriculum Conference, Flint, Michigan, May 22, 1999.

 

ěSpectacle at the Disco: Boogie Nights and the New Hollywood Musical.î   Society for Cinema Studies Conference, West Palm Beach, Florida, April 15, 1999.

 

 

WORKSHOP LEADERSHIP:

 

ěSCSU Workshop on Teaching With Writing: Plagiarism Discussion.î  (Facilitator/Leader) Office of Faculty Development, Southern Connecticut State University, August 15, 2006. 

 

ěAuthorship/Plagiarism: A Workshop and Discussion for SCSU First-Year Writing Faculty.î (Facilitator/Leader) Department of English, Southern Connecticut State University, July 21, 2006.

 

ěRecruitment, Training, and Evaluation of Part-Time Faculty: Best Practices.î  (Facilitator/Leader) Department Chairsí Institute, Southern Connecticut State University, May 12, 2006. 

 

ěCV Workshop for English Graduate Students.î  (Leader) Southern Connecticut State University, October 19, 2006; November 16, 2005; December 8, 2004; February 8, 2002; March 30, 2001.

 

ěDealing with Student Plagiarism" (Co-Facilitated with Dr. Robert McEachern). Southern Writing Board, Southern Connecticut State University, October 12, 2001.

 

ěWhat English Faculty Need to Know about ESL Writers.î (Co-Facilitated with Drs. Kate Reynolds and Lorri Verplaetse).  Department of English, Southern Connecticut State University, December 8, 2000.

 

RESEARCH INTERESTS IN GENERAL:

 

Authorship and Student Self-Assessment in First-Year  Composition; Teacher Training and Pedagogy (Composition, Creative Writing); History of Writing Programs; Rhetoric and Media

 

CURRENT/FUTURE SPECIFIC RESEARCH PROJECTS:

 

Two book manuscripts in progress:  (1) Ritter, Kelly. Before Mina Shaughnessy: Basic Writing in the Ivy League 1920-1960.  Manuscript in progress.

 

(2) Ritter, Kelly and Stephanie Vanderslice.  Teaching Creative Writing to Undergraduates: A Practical Guide and Sourcebook.  Proposal and sample chapters under review at Longman publishers.

 

 

DISSERTATION TITLE:

 

Divided Heaven: Poems 

 

INSTITUTION GRANTING Ph.D.:

 

University of Illinois at Chicago