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Mary E. Brown, Ph.D., Professor
Information Science

Southern Connecticut State University
501 Crescent Street, New Haven, CT 06515

Department of Information and Library Science
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Week 1 : Syllabus Day 1 (T/M) Day 2 (W/T) Day 3 (R/W) Day 4 (F/R)

Week 2 : Monday Tuesday Wednesday Thursday Friday

Week 3 : Monday Tuesday Wednesday Thursday Friday

Week 4 : Monday Tuesday Wednesday Thursday Friday

Week 5 : Monday Tuesday Wednesday Thursday Friday

UNIT 15

UNIT 15 READING ASSIGNMENT

Read in Butler all of the following:
  • pp. 265-268
  • the six essays found on pp. 328-347
  • the myth "Atalanta" found on pp. 269-272

UNIT 15 LECTURE

Historical Fiction

Definition: Historical fiction is stories set in the past and seeks to recreate the aura of a time past, reconstructing characters, events, movements, ways of life, and the spirit of a bygone day: The time period--and its portrayal--is at the core of the story. Historical fiction may overlap other genres, for example historical realism, historical fantasy, historical tall tales, historical mysteries. Historical fiction may be a domestic novel, a psychological novel, etc.

Relationship to biography:

Historical fiction and biography complement each other. Where historical fiction portrays the era, including mention of some specific individuals; biography portrays the individual, including mention of some of the features of the era. Historical fiction enriches the context for biographies from the same time; biography enriches understanding of specific individuals.

Historical development:

  • Developed from the romantic movement of the early 19th century.
  • Appeals to the romantic desire to escape from the present.
  • Historical fiction before World War I tended to be idealized and filled with patriotic sentiment.
  • Historical fiction today attempts to reassess and understand the past rather than glorify it.
  • After World War I, historical fiction declined in popularity. During the 1930s to 1960s, historical fiction regained popularity. The youth rebellions of the 1970s brought a rejection of the past and a clamor for relevance in fiction.

Characteristics of historical fiction:

  • Unobtrusive history
    • depends on a believable and reasonably accurate setting; often includes actual historical personages.
    • events in historical fiction are creations of the authoršs imagination; they are not history.
    • fills gaps for the reader, such as political and social history, customs, psychological attitudes, state of science and technology during the covered time period.
    • primary requirement of historical fiction is that it tells a good story.
  • Authenticity
    • conveys the flavor of the period--its sights, sounds, smells, characteristics.
    • uses language appropriate to the setting (time and place).
    • faithful to the facts of the period--this means the author reads history of and documents from the period covered.
  • Sensitivity
    • writer's of historical fiction must be sensitive to and balance the various intellectual views of an era.
    • ignorance and prejudice have no place in the author's telling of the story or perspective of the era.

Evaluating historical fiction:

  • tells a good story
  • conveys the flavor of the historical period
  • authentically captures the people of the period, their values, and their habits
  • uses dialogue to make the characters sound authentic but not artificial
  • faithfully uses historical knowledge to avoid distorting history
  • fairly and sensitively portrays different sides of the compelling issues of the period
  • gives us insight into contemporary problems as well as helps us understand the problems of the past

Age and historical fiction:

  • children of any age can enjoy historical fiction.
  • very young children have little understanding of chronology or the existence of a past and may not realize the story is from another era.
  • around age 7 or 8 children become aware of the passage of time and the existence of a past

UNIT 15 QUIZ ON LECTURE

See WebCT

UNIT 15 WRITING ASSIGNMENT

Recall a childhood story about a character and his/her job. In 10 lines or less, explain the impressions this story leaves about the role of a male/female.


On this class site, every effort has been made to acknowledge the work of others. Any omission is unintentional. If anyone finds an oversight, please contact me at brown@southernct.edu immediately so that any error can be corrected.

           

                       

    Last Modified Monday, February 28, 2005

This site is maintained by Mary E. Brown, Ph.D. Art work by Valerie Samandar; photograph of sculpture on Southern's campus.