How Teachers Can Stop Cheaters
NYTimes OP ED
September 9, 2003
By MARK EDMUNDSON
CHARLOTTESVILLE, Va.
"Academic cheating is a major problem and has negative
results on everyone involved."
So goes the first sentence of a recently composed essay on
cheating in academia. To get the whole essay, though,
you'll need to pay for a membership at DirectEssays.com, an
Internet operation that promises access to "over 101,000
high-quality term papers and essays." For $19.95 a month,
you can see the anticheating tract in toto, and a lot more
besides. DirectEssays is one of several Internet operations
selling term papers that students hand in as their own
work, and business is booming.
Cheating, especially Internet cheating, is becoming more
and more the way of the academic world. A recent study
found that 38 percent of the students polled had committed
"cut and paste" plagiarism - that is, copying sentences or
even several paragraphs from the Internet and implanting
them in their own work. Forty percent of respondents
admitted to copying without attribution from written
sources - books, journals and the like - in the past year.
The study, which involved more than 18,000 students at
colleges and universities of virtually every sort, gave
evidence of a worrisome trend: in the last such survey,
taken three years ago, only 10 percent of students admitted
to cheating. As the new study's organizer, Donald L. McCabe
of Rutgers University, put it: "There are a lot of students
who are growing up with the Internet who are convinced that
anything you find on the Internet is public knowledge and
doesn't need to be cited."
No one likes academic cheating - apparently not even the
writer who was willing to sell his anti-cheating piece to
DirectEssays.com. The question is what to do about it. Many
professors, seeing the problem as integrally related to the
Internet, have looked for technological solutions. A
science professor at my university caught 45 cheating
students with what must have been a brilliant computer
program. Other professors use Web sites like turnitin.com,
which has programs to help detect student plagiarism.
Still, I think professors need to stop looking exclusively
for technological solutions to a problem that often stems,
in consequential ways, from the way we do our jobs. Perhaps
the current boom in electronic cheating can give professors
- especially in the humanities, as the sciences are often
bound to traditional test-giving and test-taking - a chance
to pause and think and ultimately to teach in a better way.
I'm not just talking about refusing to give the same exams
year after year, though that would surely help. (When
students call a course a "gut," often what they mean is
that the exams haven't changed in a decade, that all the
fraternities have them on file and that they're to be had
for the asking.) The rise of plagiarism should also get us
to reflect on what we are setting out to do in the first
place.
A good deal of what humanities professors now ask for from
students is analysis. In literary studies, professors are
prone to require close reading of major works. We cultivate
attentiveness to written words; careful consideration;
coaxing forth disparate meanings. We try to make students
responsive to the complexities of literary sense. And this
emphasis on attentiveness to words is now practiced not
only in the English departments, but also in philosophy and
religious studies and history.
We teach other scholarly disciplines as well: awareness of
historical context, the relation of the work at hand to
current theories. But most of all, I think, we teach
reading. The ultimate goal, one might say, is to help them
become more like what Henry James says every consequential
writer should be: someone on whom nothing is lost.
This is a fine thing. But it is not nearly enough. In
teaching only reading and the scholarly arts, humanities
professors do just half of their jobs. It's not enough to
ask for a careful description of erotic imagery in
"Romeo and Juliet" or of the version of nature that
Wordsworth develops in "Tintern Abbey." We need to go
further and ask if those works provide usable truths for
ourselves and our students.
Should we consider endorsing a religion of nature, as
Wordsworth did? Should we be willing to live out his faith
in the current world? These are not at all empty questions,
I think, when many take ecological issues to be among the
most consequential for the world at large. Is Shakespeare's
Juliet a confused and starry-eyed girl, lost in love, or a
figure of enhanced freedom, somehow vital and generous
despite coming of age in the brutish world of Capulets and
Montagues? Is she worthy of admiration and, maybe,
emulation?
I have been lucky enough to have teachers who were willing
to pose such questions (after offering rigorous analysis)
and it made a vast difference in my education. It was a
turning point in my life when a high school teacher looked
up from his copy of "One Flew Over the Cuckoo's Nest" and
asked whether the protocols of the mental hospital, as Ken
Kesey depicted them, might have had more than a little in
common with the grinding protocols of our own high school.
At that moment it became liberatingly clear to me that
books have a capacity to criticize and challenge life as it
is, and often to gesture toward something better.
But humanities teachers today are not likely to pose
questions about the bearing of books on immediate
experience. They prefer to operate at a safe and scholarly
distance from the works. The question of what actual human
value a work might have to the students sitting in the room
rarely arises. Condescending analysis is the order of the
day.
There are many reasons that professors are uneasy talking
of personal transformation, but a big one is the overall
shift among universities to making the object of a liberal
arts education not so much the development of the
individual's inner life as it is the acquisition of skills.
More and more we try to give our "customers" what they seem
to want: marketable knowledge, powers that will hold them
in good stead in the work force. Analytic powers are
economically negotiable in ways that self-knowledge can't
always be.
Unfortunately, there is nothing easier or more tempting to
plagiarize than assignments that are exclusively detached
and analytical. I'm sure that there are plenty of essays to
be had over the Internet on Wordsworthian nature and
Shakespearean eros. But you cannot buy your own opinion
from someone else. If professors asked students not only
for analysis, but also for personal reasoned responses,
they would, I trust, get fewer purloined papers. Students
would be more inclined to believe that the work had to be
theirs - and that what they had to say actually mattered.
I'm not naive enough to think that more personal and
immediate teaching would put DirectEssays.com out of
business. But it would make a difference, I'm sure.
Speaking of his exchange with his pupils, Socrates, the
founder of humanistic education, once observed: "What we're
engaged in here isn't a chance conversation but a dialogue
about the way we ought to live our lives." The closer we
professors come to following Socrates, the less cheating
we're likely to see.
Mark Edmundson, professor of English at the University of
Virginia, is author of "Teacher: The One Who Made the
Difference."